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There are many ways to get to Montenegro Adriatic Coast, my taxi driver assured me, raising his voice over a chorus of horns that angrily saluted his laissez-faire attitude toward lane use during morning rush-hour traffic in Belgrade. ‘But it makes no sense to take the train.’ He weaved through less aggressive vehicles like a skier clearing slalom gates. A cold, grey autumn rain began to fall harder, drops beading down my window, as the main railway station came into view.

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There are many ways to get to Montenegro’s Adriatic Coast, my taxi driver assured me, raising his voice over a chorus of horns that angrily saluted his laissez-faire attitude toward lane use during morning rush-hour traffic in Belgrade. ‘But it makes no sense to take the train.’ He weaved through less aggressive vehicles like a skier clearing slalom gates. A cold, grey autumn rain began to fall harder, drops beading down my window, as the main railway station came into view.

‘Let me take you to the airport,’ he sounded genuinely concerned. ‘You will be in the sea and in the sun and with a beer in half an hour. This thing you are doing, it will take all day … and into the night.’ He finally relented as we pulled up to the curb: ‘At least buy water, sandwiches, and toilet paper.’

The cabbie left me in front of the crenellated railway station, a faded Habsburg-yellow throwback opened in 1884. He was already speeding off to advise another tourist before I could throw my bag over my shoulder. Inside, I found the ticket office. The woman behind the glass informed me that the trip from Belgrade, Serbia, to Bar, Montenegro – on the Adriatic edge of the Balkan Peninsula – takes 12 hours. It costs 21 euros (there would be an additional three-euro charge for a seat reservation). ‘Yes, there is a bakery nearby,’ she said and pointed. ‘It is behind you. The shop for water and tissues is next to it.’ She slid the window closed, stood, picked up her pack of cigarettes, and disappeared.

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That sense of old-world drama would serve me well, I would soon learn, along this route. On the outskirts of the Serbian capital – as I settled into my seat in a weathered, six-person cabin – we passed Topčider Station, where the hulking locomotives from Yugoslav leader Marshal Tito’s famous Blue Train are stored. The behemoths sat dishevelled, graffitied, but still regal and almost lifelike, wishing me a safe passage to the outer lands. Within an hour, the tangle of urban metal and concrete unravelled, and the countryside spread out in all directions with the urgency of a jailbreak. The sun came out as wet, emerald-green hummocks began to play leapfrog across the vista, rolling until they dove out of sight over the horizon.

Though the Belgrade–Bar line doesn’t have a sexy moniker (like the Royal Scotsman or Rocky Mountaineer), the Yugoslav Flyer would be appropriate. When construction began on the 476km railway in 1951, the Socialist Federal Republic of Yugoslavia was in its infancy: a tenuous post-WWII cadre of states on the Balkan Peninsula’s western half. By the time the route opened in 1976 – complete with 254 tunnels and 234 bridges winding down from the Pannonian Plain to the island-studded Adriatic Sea – the country had implanted itself as a geopolitical force and a synapse between the West and the Soviet Union.

Yugoslavia has since splintered into seven nations. The railway, thankfully, endures, connecting Serbia to Montenegro with a brief blip across Bosnia & Hercegovina’s eastern border. But the line’s existence represents more than just a continued, now international, transport option. These tracks are the Balkans – and a lifeline to a swath of land where cultures have intertwined since before history. Here, the train takes adventurers across vistas crisscrossed by Greeks and Illyrians, as well as the Roman, Byzantine, Ottoman and Austro-Hungarian Empires. Along the way, visitors have a literal window onto a living museum frozen in time.

Those natural exhibits were on full display as we rumbled through the foothills of the Dinaric Alps in the southwestern corner of Serbia. When we crossed the border into Montenegro, the museum’s lineup of canvases – pristine panoramas and landscapes – changed again. The Western Balkans’ rotating collection now included towering mountains and canyons that engulfed us whole.

‘I had no idea what to expect,’ said Colin Smith, a fellow passenger and UK native. Outside the window, an old couple leaned against pitchforks next to haystacks. Behind them, vegetable gardens and a small-but-dense orchard of plum trees surrounded a stone farmhouse. ‘But I am so surprised by the beauty: the mountains, steep ravines and endless drops.’

Before I went to sleep that night, I remembered my taxi driver: ‘But it makes no sense to take the train.’ Lying in bed, I could hear the sea washing onto the shore outside my rented apartment’s window. If I ever saw him again, I would make sure to tell the cabbie he was right: a flight would have been much faster and easier, and more sterile.

Book tickets (and separate necessary reservations) at the station a day in advance. There are 1st- and 2nd-class options. Night-train passengers can choose between couchettes or sleepers (with two or three beds). A one-way ticket (from Belgrade) costs 21 euros; a reservation is necessary and costs an additional three euros. Second-class couchettes on night trains cost an additional six euros. A bed in a three-bed sleeper is 15 euros; a bed in a two-bed sleeper is 20 euros.

The Belgrade–Bar railway line runs twice per day, in both directions. From Belgrade, the train departs at 9:10am and at 9:10pm; the trip takes 12 hour.

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CELEBRITY STYLE

Dakota Johnson’s “Perfect” Handbag Is a Reimagined—And Suitably Retro—Gucci Classic 

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Dakota Johnson’s “Perfect” Handbag Is a Reimagined—And Suitably Retro—Gucci Classic 

“I’ve always romanticized ’70s fashion,” Dakota Johnson tells British Vogue. “The shapes, lines, colors and patterns. But also the vibe of the people wearing the clothes.” The star’s nostalgic sensibilities are evident in any number of her red-carpet appearances, from the unapologetically retro Gucci suiting she chose to attend South by Southwest last March, to the Old Hollywood splendor of her feathered champagne gown (also Gucci) for Vanity Fair’s post-Oscars party that same month. 

Dakota Johnson stars in Guccis new Jackie 1961 campaign photographed by Glen Luchford.

Who better, then, than Dakota to serve as the face of Gucci’s newest iteration of one of its best-loved bags, the Jackie 1961? The actor takes up the mantle from countless A-list owners that pepper the bag’s 60-plus year history—none more significant, of course, than the die-hard fan for whom the accessory was ultimately renamed: Jacqueline Kennedy. 

Gucci Jackie 1961 small python bag

$4,300 AT GUCCI

Gucci Jackie 1961 mini shoulder bag

$2,400 AT GUCCI

Instantly recognizable thanks to its curved half-moon shape and distinctive piston hardware, Gucci’s saddle bag became a firm favorite of the former first lady’s in the ’70s, and photographs of Jackie flitting around Manhattan with her leather tote in tow swiftly propelled it to icon status.   

WATCHEverything You Need to Know About the Miniskirt From the 1960s to Now

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Jackie Kennedy with her 1961 bag in the 70s modern ambassador Dakota Johnsons favourite fashion era.

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From one enigmatic brunette to another, Dakota is the ideal modern muse for this contemporary spin on a house favorite. The campaign imagery, shot by British photographer Glen Luchford, echoes the sort of paparazzi snaps that are so intrinsic to modern celebrity culture, but also documented Mrs Kennedy Onassis’s love affair with the handbag all those decades ago. Instead of Jackie clutching her passport on her way out of the airport, her tote tucked under her arm, we find Johnson en route to the gym carrying the contemporary It-girl’s essentials: yoga mat, car keys, water bottle, plus a new cobalt-blue version of the Jackie 1961 dangling at her hip. 

Dakota carrying a snake printeffect version of Guccis Jackie 1961 bag in the campaign.

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Rebooting handbags with heritage has proven to be a wildly successful strategy for Gucci in recent years. In the summer of 2021, erstwhile creative director Alessandro Michele (who confirmed his departure in November after an industry-changing stint at the helm of the brand), brought back another beloved accessory from the brand’s archive: Princess Diana’s favorite bamboo handle tote. Synonymous with the late Diana’s look in the ’90s, her most confident – and influential – style era, Michele transformed the structured tote for the 21st century, adding neon leather belts that fastened around the signature bamboo handles, and giving consumers the option to customise their bags with letters and stars. 

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CELEBRITY STYLE

splashes everyday jeans and dresses with glitter, color and detail.

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splashes everyday jeans and dresses with glitter, color and detail.

Her super-long locks — a combination of brown and blonde — hint at a preference for extremes, however it is the fairytale midi dresses, the voluminous skirts, the mother Janes with massive sparkly buckles (she even wears them with purple socks!) and tailored material coats in contrastive colours that tell your vogue story. Even basic overalls get a wizardly bit with sunray boots and a girly high. What makes this vogue work could be a fearless perspective and a way of ability once dressing Ross kicks off her look with a tremendous cloud of unsmooth hair that’s typically knotted, in a bun, twisted, or braided. we tend to then see her wearing outsized, structured suits and jackets, with sneakers, message T-shirts and sweatshirts, and wearing shorts and heels. Ross, 47, accessorizes pinstriped jackets and statement coats with a belt or rolling up the sleeves, and even makes stylish dressmaking jumpsuits and funnel-neck vests look everyday. What makes this vogue work is treating serious wear nonchalantly and the other way around. Aniston stays faithful a color theme of black because the basis for her clean, fashionable wardrobe of dresses and stark jeans (she sometimes ventures into white). The uniform from him in whole neutral colours from him is intended to remain on trend, with every garment fastidiously crafted in terms of cut and detail (especially necklines) and also the ability to spotlight his terribly toned and work silhouette. There are not any dishevelled, outsized items during this wardrobe, however on the occasion that 50-year-old Aniston wears a midi skirt or wide-leg pants, you will see her try them with a form-fitting high, giving her provides definition. What makes this vogue work is staying at intervals one color palette, thus combining previous and new items could be a snap Moore, 59, likes to feature barely of comfort to her style: long skirts, midi dresses and wide leg pants square measure her go-to instruction for well-to-do and feeling modern. He wears dishevelled sweaters with folded skirts, folded dresses with dishevelled animal skin boots, and even adds a spacious cocoon-shaped waterproof together with his leggings. Moore’s accessories square measure even as mellow, like trainers, walking wedges or articulatio talocruralis boots, and hands-free crossbody baggage or a backpack. What makes this look work is that he chooses lightweight, superbly elaborate items that flow and drape well. Crawford lives in jeans and pants, however his strategy for appropriating this look is to line them aside from the standard. She achieves her vogue with button-down and button-down blouses, instead of T-shirts, typically tucked into pants for an off-the-cuff edge to the outfit. A animal skin biker or velvet jacket adds a rock ‘n’ roll vibration, whereas articulatio talocruralis boots or strappy heeled sandals keep the design systematically fashionable. She notes however Crawford, 53, prefers mid-rise jeans and pants to high-waisted ones (details count), and adds a belt or girdle at the hips to spotlight her sculptured silhouette. What makes this look work is that the repetition of unchanged items with updated materials and fits for a fail-safe formula that is straightforward to wear anyplace, Shields loves easy sheath dresses and has created this classic her signature. there is nothing difficult a couple of vogue that leaves you able to come in seconds and needs nothing quite a modification of shoes to alternate between day and night. What makes this form of dress (or the other form of dress) work as your signature look is that the target necklines, sleeves, and height that blandish your body and colours that draw compliments: Shields, 54 years, she typically prefers sleeveless designs with high or V-necklines and colours white, black or reminder gemstones. Brinkley, 65, does not simply wear her garments, she mixes them up at her convenience, similar to fashion editors do. initially look, she could seem like her wear decisions haven’t got a lot of in common, however she takes a glance at the approach she wears them and that they work. She selects straight or increasing full-length pants, short dresses, and even shorts to point out off her long legs. Tailored sweaters, shirts, and jackets have a V-neckline to elongate her neck, flatten a full bust, and supply Associate in Nursing unpretentious peek at cleavage; hey, this is often Christie Brinkley! What makes this look work is selecting garments that job for your body instead of attempting to form your body look smart in everything in constant evolution, it’s not Associate in Nursing foolproof instruction.

 

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CELEBRITY STYLE

10 celebrities with a unique personal style

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10 celebrities with a unique personal style

In English | By the time she hits her 50s, each girl features a fashion formula that produces her feel trendy , snug, and assured. we have a tendency to|once we|after we} finally realize a “look” we like, we tend to keep on with it and purchase specific things over and once more that become our hallmark, like patterned boat necks and leopard print shoes. however the important secret to non-public vogue, for savvy shoppers and wearers like North American country, is to ne’er let it look out of date. These ten celebrities have a particular type of their own. Take a glance and find impressed

 

1. Sharon Stone: glamour al estilo L.A.

 

61, provides refined suits and jackets a colorful edge by pairing them with sport pants and trainers, adding slightly of classic Hollywood with red lipstick, a sleek unclothed blonde bob, specs and a fine animal skin bag. Everything she wears has surprising details: her baggage area unit cerulean or red, the black leggings area unit pirate cut, those she wears with associate outsized hoodie, the sweatpants area unit long and dishevelled, and therefore the jacket hits to the waist to relinquish it form. What makes this vogue work is that the theory of the attraction of opposites.

 

 2. Sarah Jessica Parker: eclectic and colorful

 

Parker, 54, splashes everyday jeans and dresses with glitter, color and detail. Her super-long locks — a combination of brown and blonde — hint at a preference for extremes, however it is the fairytale midi dresses, the voluminous skirts, the Virgin Mary Janes with huge sparkly buckles (she even wears them with purple socks!) and tailored cloth coats in different colours that tell your vogue story. Even basic overalls get a wizardly bit with collapsed boots and a girly high. What makes this vogue work could be a fearless perspective and a way of creativeness once dressing.

 3. Tracee Ellis Ross: fabulous in tailored garments

 

 

Ross kicks off her vogue with an incredible cloud of rough hair that’s typically knotted, in a bun, twisted, or braided. we tend to then see her wearing outsized, structured suits and jackets, with sneakers, message T-shirts and sweatshirts, and wearing shorts and heels. Ross, 47, accessorizes pinstriped jackets and statement coats with a belt or rolling up the sleeves, and even makes stylish dressmaking jumpsuits and funnel-neck vests look everyday. What makes this vogue work is treating serious vesture nonchalantly and the other way around.

 4. Jennifer Aniston: in black and minimalist

 

Aniston stays faithful a color theme of black because the basis for her clean, trendy wardrobe of dresses and stark jeans (she often ventures into white). The uniform from him in whole neutral colours from him is intended to remain on trend, with every garment rigorously crafted in terms of cut and detail (especially necklines) and therefore the ability to focus on his terribly toned and match silhouette. There are not any dishevelled, outsized items during this wardrobe, however on the occasion that 50-year-old Aniston wears a midi skirt or wide-leg pants, you will see her combine them with a form-fitting high, giving her provides definition. What makes this vogue work is staying at intervals one color palette, thus intermixture previous and new items could be a snap.

  5. Julianne Moore: bohemian and chic

 

Moore, 59, likes to feature slightly of comfort to her style: long skirts, midi dresses and wide leg pants area unit her go-to formula for wealthy and feeling modern. He wears dishevelled sweaters with folded skirts, folded dresses with dishevelled animal skin boots, and even adds a convenient cocoon-shaped coat along with his leggings. Moore’s accessories area unit even as relaxed , like trainers, walking wedges or articulatio talocruralis boots, and hands-free crossbody baggage or a backpack. What makes this look work is that he chooses lightweight, superbly elaborated items that flow and drape well.

 6. Cindy Crawford: impeccable pants

Crawford lives in jeans and pants, however his strategy for appropriating this look is to line them aside from the normal. She achieves her vogue with button-down and button-down blouses, instead of T-shirts, usually tucked into pants for an off-the-cuff edge to the outfit. A animal skin biker or velvet jacket adds a rock ‘n’ roll vibration, whereas articulatio talocruralis boots or strappy heeled sandals keep the design systematically trendy. She notes however Crawford, 53, prefers mid-rise jeans and pants to high-waisted ones (details count), and adds a belt or girdle at the hips to focus on her callipygian silhouette. What makes this look work is that the repetition of dateless items with updated materials and fits for a fail-safe formula that is straightforward to wear anyplace

 7. Brooke Shields: exitosa en vestidos tipo tubo

 

Shields loves easy sheath dresses and has created this classic her signature. there is nothing sophisticated a few vogue that leaves you able to move into seconds and needs nothing over a amendment of shoes to alternate between day and night. What makes this type of dress (or the other type of dress) work as your signature look is that the concentrate on necklines, sleeves, and height that blandish your body and colours that draw compliments: Shields, 54 years, she typically prefers sleeveless designs with high or V-necklines and colours white, black or reminder gemstones.

 .  8. Christie Brinkley

Brinkley, 65, does not simply wear her garments, she mixes them up at her convenience, similar to fashion editors do. initially look, she could appear like her covering selections do not have abundant in common, however she takes a glance at the manner she wears them and that they match. She selects straight or increasing full-length pants, short dresses, and even shorts to point out off her long legs. Tailored sweaters, shirts, and jackets have a V-neckline to elongate her neck, flatten a full bust, and supply associate unpretentious peek at cleavage; hey, this can be author Brinkley! What makes this look work is selecting garments that employment for your body instead of making an attempt to create your body look sensible in everything.

  9. Meg Ryan: vanguardista urbana

Avantgarde Ryan, 58, favors minimalist separates with a utilitarian twist. it is a low-keyed, high-fashion vogue that depends on freelance labels and unstructured pants, jackets and skirts, in the middle of Birkenstocks, trainers, combat boots, courier luggage and captain’s hats. there is a free, at ease look to everything from Ryan’s signature superimposed locks—now longer with a wavy texture—to the cropped pants and dark floral midi dress. What makes this look work is selecting elegant, unpretentious items in muted reminder black and charcoal that employment superbly and ne’er look over the highest or too “fashionable”.

 10. Kris Jenner: trajes simplificados

Jenner makes a crisp structured jacket and pants her go-to resolution for work and socialisation. It’s associate Instagram-worthy uniform that does not match any season and provides many opportunities to combine and match animal skin, prints, and belts. Jenner, 64, keeps the design attention-grabbing by variable the jacket from single bosomed to double-breasted, fashionable to trench coat-inspired. What makes this vogue work is that the need to continue desegregation new items as fashion goes through its cycle or amendment. Jenner even recently tried out associate asymmetrical skirt with a beltlike military-style jacket, tights and knee-deep boots; exploring designs may be a formula in constant evolution, it’s not associate unerring formula.

 

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